Periodically when you’re talking about Arab Shakespeare appropriation some mischievous soul will ask: “So, what do they do with The Merchant of Venice?” It’s a good (if not nice) question. Now we can refer it to Mark Bayer’s article in the current issue of Comparative Drama:
Mark Bayer, “The Merchant of Venice, the Arab-Israeli Conflict, and the Perils of Shakespearean Appropriation,” Comparative Drama Volume 41 (Winter 2007-08 ), No. 4. See Project Muse for PDF and HTML.
Haven’t read it yet, but Bayer’s SAA paper on the same topic (2006) was interesting.